Drumstruck contains all four volumes of a series of percussion loops and contains 325 loops with grainy, dark percussion textures, including several powerful cinematic break-beats.


Drumstruck 1 - contains deep bass loop loops, dynamic hat loops and crisp break beats resembling the Harry Gregson-Williams score for the film Telephone Booth. Lots of lo-fi, tensions and dynamics.
Drumstruck 2 - loud, noisy, more distorted rhythms. If you like big cinematic beats like Harry Gregson-Williams, Linkin Park, Craig Armstrong or David Holmes, you will find something to use in this piece.
Drumstruck 3 - contains a bit more crisp darkness, with an emphasis on synthetic, technical loops and a bunch of saturation and the smallest details.
Drumstruck 4 is deeper and darker, and it is a much larger library than the rest, with seven patches instead of the usual, including some sound effects and sfx. There are rhythms, digital drums and even some fundamental sounds and individual acoustic recordings.
All 4 versions offer a variety of dark electronic bits and textured glitches. There are many deep, filled loops of drums and clear upper lines. Everything is processed with my favorite compressors, equalizers and distortion plug-ins but no frills. Just carefully programmed and created beats, perfect for a wide variety of genres, including cinema, electronic, rock and pop.
The Drumstruck series is a quick and easy way to insert and remove loops on the fly, combining them to create new percussion textures.

Publisher: The Unfinished
Website: theunfinished
Format: KONTAKT 4+ (Drumstruck 1 and 2), 5+ (Drumstruck 3 and 4)
Quality: 24/16 bit 48 kHz stereo