MUSIC THEORY COMPREHENSIVE COMBINED: PARTS, 7, 8 AND 9 is three courses in one: It includes my three top Music Theory Comprehensive courses: Part 7: Harmonic Expansion, Part 8: New Progressions, and Part 9: Diminished.

Throughout this class, If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible (within a day).
In this class, we will cover:
Tools of Counterpoint
How Inversion Names Work
7th Chord Inversion Names
The Chordal 7th
Root Position V7 - I Resolutions in SATB Voicing
Inversions of V7 - I Resolutions in SATB Voicing
Exceptions to Voice Leading
Doubling Concerns in 7th Chords
Figured Bass
Figured Bass and Roman Numerals
Studying with Bach
"Realizing" Figured Bass
The Pre-Dominant Phrasing Area
Moving from Root Position IV to V Without Parallels
Predominant 7th Chords
Harmonization Steps
Finding Cadences
Finding the Right Chord Progression
Finding the Right Inversions
The Cadential 6/4
Chord Function
Writing Cadential 6/4 Chords
Neighboring 6/4 Chords
Pedal 6/4 Chords
Writing Neighboring 6/4 Chords
The Arpeggiating 6/4 Chord
Parallelism in Music
New Analysis Notations
The V7 as a Tonic Expansion
Other V7 Expansions
The Double-Neighbor V7 Expansion
Submediant Expansions
Chord Progression Sequences
Descending Fifth Progressions
Descending Sequences in Minor
Other Fifth Related Sequences
Making a Quick Key Change
Part-Writing with Descending Fifth Sequences
Descending Third Sequences
Descending Thirds in Minor
Ascending Third Progressions
Progressions by Second
4-Voiced Progressions by Second
Analysis: Canon in D
Analysis: Bach, Cello Suite No. 1
Finding Chords in Monophonic Music
Finding Chord Function in Bach
Secondary Dominant
Toniciiation
Key Modulation
Changing Keys
Practicing Harmonization
Melodies for Practice
Worksheets and Music for Practice
...and much, much more!

What you'll learn
Master college-level Music Theory Class
Compose music in the style of Bach and other Baroque composers
Compose music in the style of many well-known Composers
Create more emotional music using suspensions, resolutions, and non-chord tones effectively
Pitches and Pitch Classes
The keyboard layout
The 2 main clefs
Reading Rhythms
The main musical symbols you find in scores
The 4 main scale patterns
The 3 notes in any chord (and how to find them!)
Analysis projects of Bach, Beethoven, Mozart, and some modern music as well!
How 7th chords work
Keys and Key signatures
The circle of fifths
The 7 scale degrees
Compound meters
The 3 types of minor scales
Diatonic chord progressions
The 7 Modes
The 12 intervals
The 5 types of counterpoint
Writing melodies
Melodic embellishment
The 5 types of cadences
Harmonizing melodies
Figured bass
Harmonizing chorale melodies
Passing chords
Sequences by chords
Changing keys
Diminished chords and tonic expansion
Identifying phrases
Motives
Sentences, periods, and melody structure
Secondary dominants

Requirements
Students should be enthusiastic about music, but do not need to be producers or musicians. No prior experience is needed in music - All are welcome!
Students who have taken Music Theory Comprehensive Part 1 - How To Read Music will benefit from some concepts, but it is not required.
Students who have taken Music Theory Comprehensive Part 2 - Chords, Scales, and Keys will benefit from some concepts, but it is not required.
Students who have taken Music Theory Comprehensive Part 3 - Minor Keys and More will benefit from some concepts, but it is not required.\
Students who have taken Music Theory Comprehensive Part 4 - Modes and Counterpoint and More will benefit from some concepts, but it is not required.
Students who have taken Music Theory Comprehensive Part 5 - Counterpoint Complete will benefit from some concepts, but it is not required.
Students who have taken Music Theory Comprehensive Part 6 - SATB Composition will benefit from some concepts, but it is not required.
This courses assumes students know the basics of how to read music. (Those who can not identify notes in treble clef should start with Music Theory Comprehensive Part 1)

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