Sample / Sound → Getgood Drums The Nolly Bass Library KONTAKT
Getgood Drums The Nolly Bass Library KONTAKT | 20.2 GB
GET NOLLY IN YOUR PRODUCTION. After many years of fine tweaks and meticulous refinement, both live on stage and in the studio, Nolly has crafted an instantly recognizable signature bass sound that has helped define the sound of an entire genre.
Sample / Sound → Submission Audio OmniBass KONTAKT
Submission Audio OmniBass KONTAKT | 4.57 GB
OmniBass is the ultimate virtual homage to Ernie Ball's punchy, pristine Bongo. From glassy, piano-esque highs down to punchy lows, the Bongo will cover anything you throw at it.
Purgatory Creek Soundware - Reed Collection Wurlitzer & Hohner KONTAKT | 1.15 GB
The Purgatory Creek Soundware Reed Collection includes no less than four reed-based electro-mechanical pianos spanning a decade of manufacture. Each captures the authentic sound of original instruments with great detail.
Sample / Sound → Cymatics - BUNNY: Hip Hop Sample Pack (MIDI, WAV)
Cymatics - BUNNY: Hip Hop Sample Pack (MIDI, WAV) | 1.11 GB
300+ New Samples Inspired by Bad Bunny’s
Sample / Sound → Soundiron Orrville Pipe Organ KONTAKT
Soundiron Orrville Pipe Organ KONTAKT | 9.08 GB
The Orrville Pipe Organ is a classic pneumatic pipe organ with 1,224 pipes, 21 ranks, 3 divisions, 2 manuals, 18 stops and 31 registers. It was built for the First Presbyterian Church of Orrville, Ohio in 1963 by the venerable Schantz Organ Company.
Sample / Sound → Soundiron Hyperion Strings Solo Violins KONTAKT
Soundiron Hyperion Strings Solo Violins KONTAKT | 6.9 GB
This library features two violinists for life-like duets and layering options. With each player, we included a complete range of chromatic articulations, and an extensive collection of improvised melodic phrases in various styles, dynamics, tempos and keys.
Sample / Sound → Soundiron Hyperion Strings Oktobass KONTAKT
Soundiron Hyperion Strings Oktobass KONTAKT | 12.6 GB
The Octobass is the lowest concert string instrument, with a thunderous, room-shaking growl. This 12GB+ library for Kontakt has 30+ articulations, with various sustains, shorts, dynamic expressions, legato, effects, aleatoric phrases, inspiring performance tools, creative options and a huge range of custom spaces.
Sample / Sound → Soundiron - Hopkin Instrumentarium : Woodentines KONTAKT
Soundiron - Hopkin Instrumentarium : Woodentines KONTAKT | 1.5 GB
Woodentines is a nuanced and expressive selection of wooden lamellaphones by master instrument inventor Bart Hopkin. Featuring 3 unique instruments with wildly different shapes and mechanics, the same crisp and yet ponderously watery wooden essence shines warmly through each one. It includes the Bamboo Idiomount, Big Wooden Kalimba and Woodkal, plus a special bonus instrument called Piezo Tongues.
Sample / Sound → Soundiron - Hopkin Instrumentarium : Metaltines KONTAKT
Soundiron - Hopkin Instrumentarium : Metaltines KONTAKT | 7.06 GB
Metaltines is an expressively nuanced assortment of metal lamellaphones from the mind of master instrument inventor Bart Hopkin. Featuring 4 unique instruments with wildly distinctive shapes and mechanics, but with the same sharp, yet richly resonant metal essence that shimmers brightly through each one. It includes the mallet K1 & K2, Sit or Play, and T-Rod-on-Tine. We've included a wide spectrum of playable articulations, sound-design textures, pads, drones and multiple microphones/channel options to give you complete musical freedom.
Sample / Sound → Soundiron - Hopkin Instrumentarium : Miago Trod KONTAKT
Soundiron - Hopkin Instrumentarium : Miago Trod KONTAKT | 3.74 GB
Miago Trod is a giant resonating lamellaphone created by master instrument inventor Bart Hopkin. It stands over five feet tall, with 22 threaded rods of varying lengths in two rows. The rods are tuned chromatically and played percussively. Part of the special character of this experimental device is found in the relative tuning of the upper and lower segments. They are long enough that the fundamentals are subsonic, and the tone is of various overtones. The range of rod lengths was chosen so that in the upper, shorter segments, one overtone is strong enough to stand out as the defining pitch, while other overtones contribute to a coherent blend. Meanwhile, the longer lower segment has similar sets of overtone relationships with a predominant pitch an octave below the upper segment. When either the upper or lower segment is struck, the two parts interact to further enrich the tone. The final result is a mysterious bassy and metallic timbre, ideal for your next scoring project that needs something truly unique.